PJ Maes, M Leman, C Palmer… - Frontiers in …, 2014 - frontiersin.org
The classical, disembodied approach to music cognition conceptualizes action and perception as separate, peripheral processes. In contrast, embodied accounts of music …
Playing a musical instrument requires efficient auditory and motor processing. Fast feed forward and feedback connections that link the acoustic target to the corresponding motor …
WF Thompson, FA Russo, L Quinto - Cognition and Emotion, 2008 - Taylor & Francis
We examined whether facial expressions of performers influence the emotional connotations of sung materials, and whether attention is implicated in audio-visual …
K Schulze, N Gaab, G Schlaug - BMC neuroscience, 2009 - Springer
Background The perceptual-cognitive mechanisms and neural correlates of Absolute Pitch (AP) are not fully understood. The aim of this fMRI study was to examine the neural network …
This paper presents Arpège, a progressive multitouch input technique for learning chords, as well as a robust recognizer and guidelines for building large chord vocabularies …
Gesture-to-sound mapping is generally defined as the association between gestural and sound parameters. This article describes an approach that brings forward the perception …
Evidence from language, visual and sensorimotor learning suggests that training early in life is more effective. The present work explores the hypothesis that learning during sensitive …
Humans can easily extract the rhythm of a complex sound, like music, and move to its regular beat, like in dance. These abilities are modulated by musical training and vary …
A McGuiness, K Overy - Music and consciousness: Philosophical …, 2011 - books.google.com
This chapter considers the neural basis of musical experience alongside theories of the embodied nature of consciousness. Drawing on previous theoretical work on the role of the …