Hip-Hop as a music genre is a popular music genre both in commercial success and global
impact and there is a variety of academic studies on the origins, creation, effects, and uses of …

Hip-Hop fans and artists' responses to the growing popularity of Hip-Hop music in Australia
in the mid-2000s is the subject of this article which draws on ethnographic fieldwork …

This book is the first academic edited collection to focus entirely on Hip Hop in so-called
Australia (see later discussion). It is a multi-disciplinary collection that features a mix of …

This article draws on Wallerstein's notion of world-systems to contribute to the theorization of
cultural hybrids. Through an analysis of hip hop and yoga, as well as their arrangement as a …

In this article, I focus on ethnomusicological and popular music studies' examinations of
Western popular music cultures, and provide a critique of some of their methods. Further, my …

This chapter analyses the experiences of two Hip Hop practitioners from South Australia: 53-
year-old Graffiti Writer Kab101 (Gen X) and 27-year-old Breaker Millie (Gen Y). They are the …

The late 1990s and early 2000s saw a whole new generation of breakers emerge in Sydney,
many of whom have become the formidable dancers and leaders of today's breaking scene …

In the struggle for a distinctive 'home-grown'Australian Hip Hop music, the dominance of
Anglo-Australian voices and identities in the mainstream has historically eclipsed and …

While hip hop is an overlooked facet of Ottawa's cultural mosaic, Ottawa has similarly been
overlooked concerning its place in the story of hip hop in Canada. A study of Ottawa's hip …

In this article, we analyse the impact of breaking's inclusion in the Olympics on the Australian
breaking scene. We draw on our experiences as Australian breaking practitioners, as well …