P opuL ar Mu sic Page 1 Ta R a B R a B a z O N P opuL a r Mu sic Page 2 Page 3 SAGE has
been part of the global academic community since 1965, supporting high quality research and …

The devaluation of the recorded music commodity under digitalization has destabilized the
recording industry. One primary record industry response is the new “360 deal” form of the …

Managing Football is the first book to directly respond to the rapid managerial, commercial
and global development of the sport and offers a thorough analysis of how the football …

Owning the Masters provides the first in-depth history of sound recording copyright. It is this
form of intellectual property that underpins the workings of the recording industry. Rather …

Copyright lies at the very heart of the music business. It determines how music is marketed,
artists are rewarded, and all the uses to which their work is put. And copyright claims and …

This chapter is concerned with the implications of copyright law for the music industry. In
particular, some fundamental questions relating to the ownership and control of music will …

In his 1962 career guide aimed at American high school students, Robert E. Curtis describes
and assesses persisting features of the music performance occupations.'Come join me in …

This article examines the apparent paradox of the persistence of long-term employment
contracts for cultural industry 'talent'in the context of broader trends toward short-term …

This piece sets out the challenges faced by the entertainment industry and the parallel
altered role of law. What amounts to entertainment and how it is created, produced …

The legal history of pop singer-songwriter Kesha Sebert has brought to light serious
problems of gender and power in the US recording industry: it remains male dominated to its …