'Post-Multicultural Writers as Neo-Cosmopolitan Mediators' argues the need to move beyond
the monolingual paradigm within Anglophone literary studies. Using Lyotard's concept of …

A wave of life stories and autobiographical narratives by Aboriginal women began in the late
1970s and gained momentum a decade later with the publication of Sally Morgan's My …

T. WILLIAM BRADLEY'S WATERCOLOUR PAINTING “View in Broken Bay”(1788) provides
an early and vivid example of a visual allegory of first contact. Amid a vast landscape of sky …

Abstract In True Country, the narrator draws the reader close and says,“You listen to me.
We're gunna make a story, true story. You might find it's here you belong. A place like …

RITING IN THE WAKE OF MOBY DICK, WHICH HAUNTS ALL LATER FICTIONS ON
whaling, Kim Scott brings an Indigenous imaginary to reflect on the 'enlightened world'that …

This is the first book to examine how Australian fiction writers draw on family histories to
reckon with the nation's colonial past. Located at the intersection of literature, history, and …

I remember once, many years ago, walking along Grattan Street in Carlton towards the Koori
Student Liaison Unit in Bouverie Street with Ngarrindjeri student Fiona Rigney and Wiradjuri …

In the southwestern corner of Australia, bordered by ocean and arid land, lies an island-like
area, the South-West Australian Floristic Region (SWAFR). Canvassing some 300,000 …

This essay contributes to literary criticism on ecobiography through an analysis of Jessica
Lee's Two Trees Make a Forest. A genre of life writing which reflects on the imbrication of a …

Based on a reading of Kim Scott's Taboo (2017), this article argues that only through a
sincere acknowledgement of material and mental Indigenous sovereignty can postcolonial …