This special issue continues the discussion of the role of emotion in discourse (see Russian
Journal of Linguistics 2015 (1) and 2018, 22 (1)) which, as testified by the burgeoning body …

This paper presents a user-independent emotion recognition method with the goal of
recovering affective tags for videos using electroencephalogram (EEG), pupillary response …

Alles in einem Band: grundlegende Konzepte, theoretische Ansätze und empirische
Befunde der Medienwirkungsforschung. Die Autoren berücksichtigen dabei die …

The Political Sociology of Emotions articulates the political sociology of emotions as a sub-
field of emotions sociology in relation to cognate disciplines and sub-disciplines. Far from …

The COVID-19 pandemic has been an ideal breeding ground for conspiracy theories. Yet,
different beliefs could have different implications for individuals' emotional responses, which …

Two experiments explore the validity of conceptualizing musical beats as auditory structural
features and the potential for increases in tempo to lead to greater sympathetic arousal …

In our present society, the cinema has become one of the major forms of entertainment
providing unlimited contexts of emotion elicitation for the emotional needs of human beings …

The paradox of sad-film enjoyment deals with the question of why people are able to feel
entertained when watching a sad film that ends unhappily. Previous studies explored the …

Traditionally, emotion recognition is performed in response to stimuli that engage either one
(vision: image or hearing: audio) or two (vision and hearing: video) human senses. An …

Issues involving media psychology are universal: Why do we find a film exciting? What
influence does music have on our feelings? Do computer games featuring violence make …