Post-Apartheid South African choral music: An analysis of integrated musical styles with specific examples by contemporary South African composers

AA Haecker - 2012 - search.proquest.com
The use of music as a social and political symbol in South Africa did not end with the fall of
apartheid. In fact, some of the music in post-apartheid South Africa encountered a significant …

Die begeleide vioolsonate in Suid-Afrika: die bydraes van Temmingh, Klatzow en Hofmeyr

T Theunissen - 2014 - scholar.sun.ac.za
The sonata for violin and piano has a well-deserved place within chamber music in South
Africa. It has always been one of the most prominent chamber music genres within Western …

Klatzow reinvented: from modernist, non-tonal activist to tonal art-music champion

VM Franke - The Musical Times, 2016 - JSTOR
The plishments music present advocates, of article one Peter of the serves Klatzow. 1 most
as prolific a It testament focuses and vocal to predominantly the South creative African …

The Technical and Interpretative Challenges in the Marimba Works of Peter Klatzow: A Performer's Analysis

C Adams - 2015 - scholar.sun.ac.za
Peter Klatzow (1945-) is one of the few renowned South African composers to have gained
international recognition for his works. This is primarily due to his marimba pieces that are …

(A) tonality in the Compositional Language of Peter Klatzow: A Triadic Study with an Added Note

W Delport - Muziki, 2017 - Taylor & Francis
This article adopts a triadic study to the exploration of (a) tonality in Peter Klatzow's
compositional language. Firstly, academic scholarship on tonality, modality and atonality in …

The South African clarinet concerto: An examination of the clarinet genre within the South African context

JM Carter - 2014 - open.uct.ac.za
Abstract In exploring the South African Clarinet Concerto, this discourse focusses on nine
pieces that have been written within this genre and within the South African context. With this …

[PDF][PDF] Notturno Elegiaco for Piano Trio

M Nay - 2008 - core.ac.uk
The broad structure of this reflexive essay is twofold: First I discuss my experience of making
a compact disc (CD) recording with the Trio Hemanay, which consists of three performer …