Description: New York, NY: Bloomsbury Academic, 2019.| Includes bibliographical
references and index.| Summary:“Music videos promote popular artists in cultural forms that …

This dissertation approaches the broad concept of musical classification by asking a simple
if ill-defined question:“what is genre in post-millennial popular music?” Alternatively covert or …

This article fragments and processes Debris, a project developed to formalise the creative
recycling of digital audio byproducts. Debris began as an open call for electronic …

Abstract In 1994, PJ Harvey and Björk covered the Rolling Stones'“(I Can't Get No)
Satisfaction”(1965) at the BRIT Awards ceremony. As part of the mainstreaming of cultural …

Heavy metal scholarship affirms the genre to be dominated by male performers and points to
a preponderance of patriarchal values and hypermasculinity, with performances contributing …

With her path-breaking visual album, Lemonade, 1 Beyoncé embodies the values of
intersectional feminism by saturating her work with cultural references that relate in …

This paper examines a recent trend in the work of female artists to appropriate and parody
the hip-hop “booty video” and, in so doing, to address specific modes of female …

RELEASED IN MARCH 1988, the video of “I Need a Man” featured Annie Lennox in one of
her most spellbinding performances. Reluctant to go on tour when their Savage album came …

With a specific focus on contemporary pop music, this dissertation frames a range of gender
issues within an examination of audiovisual aesthetics and personal narrativity. Entering …

In the earlier period of prosperity, the American people did not wait until the last possible bit
of use had been extracted from every commodity. They replaced old articles with new for …