The Ma-ori film-maker Barry Barclay used the term 'Fourth Cinema'to describe indigenous
cinema, a philosophy based on his own practice as a director. He sought to privilege the …

This article examines the evolution of Maori filmmaking since the 1980s and explores this
Indigenous cinema in the context of developments in the New Zealand film industry. With …

Anhand des brasilianischen Films O mestre eo divino (BRA 2013, R.: Tiago Campos Torres)
werden post-und dekoloniale Perspektiven auf das Verhältnis von Film und Subjektivierung …

While there is increased academic interest in Maori writing in English, both inside and
outside Aotearoa, little of the current scholarship has attended self-consciously to the issue …

Since the turn of the millennium, diagnostic rates of depression have skyrocketed to
unprecedented levels across the globe, constituting a veritable mental health pandemic …

The text attempts to understand the development of collaborative audiovisual knowledge
practices in anthropology as situated and diffractive knowledge (Haraway, Barad, Smith). By …

This essay presents three film examples from across the cinemas of Canada which grapple
with the politics of sobriety amidst unique cultural contexts: Werewolf (Ashley McKenzie …

This article discusses the most recent film made by Maori film-maker Barry Barclay, the 2005
documentary feature The Kaipara Affair, which centres on disputes over fishing rights in the …

In diesem Text werden zwei Film-bzw. Mediennetzwerke aus Kanada betrachtet, in denen
prekäre Lebensbedingungen nicht nur thematisiert werden, sondern durch die Partizipation …