E Gliozzo - Archaeological and Anthropological Sciences, 2021 - Springer
This article summarises the history of cinnabar, from its first uses in burials to modern oils on canvas. After a brief introduction on mercury and contamination issues, the article gets to the …
The Pigment Compendium Dictionary is a comprehensive information source for scientists, art historians, conservators and forensic specialists. Drawn together from extensive …
D Bersani, PP Lottici - Journal of Raman Spectroscopy, 2016 - Wiley Online Library
Minerals, as raw structural materials or pigments, play a fundamental role in archaeometry, for the understanding of nature, structure and status of an artefact or object of interest for …
F Ospitali, D Bersani, G Di Lonardo… - Journal of Raman …, 2008 - Wiley Online Library
Abstract 'Green earths' are employed since antiquity as pigments in the creation of artworks. The minerals responsible for the colour belong to four groups:(1) the clayey micas …
I Aliatis, D Bersani, E Campani, A Casoli… - … Acta Part A: Molecular …, 2009 - Elsevier
Green colored samples on wall paintings and green powder from a pigment pot found in Pompeii area are investigated by micro-Raman, FT-IR and, for one sample, SEM-EDX. To …
I Crina Anca Sandu, MH de Sá… - Surface and Interface …, 2011 - Wiley Online Library
This paper is a review on the studies performed through imaging and spectroscopy‐based analytical methods on ancient 'gilded'art‐objects (9th–19th centuries) from the European …
Non-destructive analysis of the artist's palette of ancient wooden panel paintings is a difficult task and studies are rare. Here we compare different methods of analysis of a wooden panel …
AM Correia, RJH Clark, MIM Ribeiro… - Journal of Raman …, 2007 - Wiley Online Library
Twenty‐three paintings by Henrique Pousão—a 19th century Portuguese painter— belonging to the collection of Museu Nacional Soares dos Reis, Porto, Portugal, were …
M Pérez-Alonso, K Castro, JM Madariaga - Analytica chimica acta, 2006 - Elsevier
This article presents the “in situ” and totally non destructive investigation of a wall painting in Santa María de Lemoniz (Biscay, Basque Country, Spain) by Raman microprobe …