Patterned microtiming deviations from metronomic regularity are ubiquitous in the
performance of metered music. The relevance of microtiming to the perception of music has …

Microtiming has been assumed to be vital for the experience of groove, but past research
presented conflicting results: some studies found that microtiming is irrelevant for groove …

Perceptual attack time (PAT) is defined as the moment when the most salient rhythmical
feature of a sound is perceived. This paper focuses on the PAT of saxophone sounds …

Charles Keil (1966) argued against Leonard Meyer (1956) that the expressivity, emotional
power, and groove of music does not primarily lie in the syntax of the notated score, but in …

René Leibowitz'Auftreten gegen die (aus seiner Sicht)› entstellende‹ Interpretations-und
Orchesterpraxis seiner Zeit und sein Bemühen, Beethovens Werken zu zeitgenössischen …

Richard Beaudoin summarises his decade-long compositional practice of using micro-
temporal measurements of audio recordings as the source for new, notated scores …

Abstract Composer Richard Beaudoin (1975) has developed in the last few years a
compositional method centered on microtiming linked with the scholarly works of the Music …

René Leibowitz'Auftreten gegen die (aus seiner Sicht)› entstellende‹ Interpretations-und
Orchesterpraxis seiner Zeit und sein Bemühen, Beethovens Werken zu zeitgenössischen …

Abstract Machines that capture and play back sound invariably influence the many ways that
music is composed and performed. This symbiotic relationship is manifest in the turntablist …