Narratives are everywhere--and since a significant part of contemporary media culture is
defined by narrative forms, media studies need a genuinely transmedial narratology. Against …

als about the role of emotions in media consumption (eg, Nabi, 1999, 2002; Schramm &
Wirth, in press; Wirth, Schramm, & Böcking, 2004). The peak of engagement with this topic …

We investigate the relation between general affective meaning and the use of particular
phonological segments in poems, presenting a novel quantitative measure to assess the …

The author (real or empirical) can be defined in a narrow sense as the intellectual creator of
a text written for communicative purposes. In written texts in particular, the real author is …

This article presents a method of emotion analysis for German drama from the 17th to the
19th century that significantly goes beyond previous research approaches in computational …

Gefühle beeinflussen unser Verhalten überall-auch in der Wissenschaft. Aber bei
Forscher_innen sind Affekte suspekt: Sie werden als Störungen betrachtet, die eine …

Bei allen Empfindungen müssen wir die reine Empfindung von unserer Auslegung
derselben unterscheiden […]. Aber diese Auslegung assoziiert sich so sehr mit der …

The present study retested previously reported empirical evidence suggesting an iconic
relation between sound and emotional meaning in poetry. To this end, we analyzed the …

Conveying emotions in spoken poetry may be based on a poem's semantic content and/or
on emotional prosody, ie, on acoustic features above single speech sounds. However …

Die Gattungstheorie der Lyrik ist bislang eher schwach entwickelt: Zwar mangelte es in der
Geschichte der Lyriktheorie1 und in der Gattungsgeschichte der Lyrik2 nicht an …