COSMOS: Computational Shaping and Modeling of Musical Structures

E Chew - Frontiers in Psychology, 2022 - frontiersin.org
This position paper makes the case for an innovative, multi-disciplinary methodological
approach to advance knowledge on the nature and work of music performance, driven by a …

An end-to-end musical instrument system that translates electromyogram biosignals to synthesized sound

A Tanaka, F Visi, BD Donato, M Klang… - Computer Music …, 2023 - direct.mit.edu
This article presents a custom system combining hardware and software that senses
physiological signals of the performer's body resulting from muscle contraction and …

Strategies for managing timbre and interaction in automatic improvisation systems

W Hsu - Leonardo Music Journal, 2010 - direct.mit.edu
Earlier interactive improvisation systems have mostly worked with note-level musical events
such as pitch, loudness and duration. Timbre is an integral component of the musical …

Electronic_Khipu_: thinking in experimental sound from an ancestral andean interface

LPC Hinojosa - Computer Music Journal, 2020 - direct.mit.edu
A khipu is an artifact used in the ancient Inca Empire and previous Andean societies to
process and transmit statistical and narrative information. It is known as one of the first textile …

Real-time timbral organisation: Selecting samples based upon similarity1

A Eigenfeldt, P Pasquier - Organised Sound, 2010 - cambridge.org
A comparison is made between two systems of real-time sample selection using timbral
proximity that has relevance for live performance. Sound files in large sample libraries are …