Human creativity typically includes a self-critical aspect that guides innovation towards a
productive end. This chapter offers a brief history of, and outlook for, computational aesthetic …

Computational evolutionary art has been an active practice for at least 20 years. Given the
remarkable advances in that time in other realms of computing, including other forms of …

This paper is concerned with the idea of fitness in art and music systems that are based on
evolutionary computation. A taxonomy is presented of the ways in which fitness is used in …

This chapter discusses how Schafer's approaches to music education can be applied in
today's technological era to develop a highly creative workforce. It is anchored in a …

Two implementations of an Evolutionary Sound Synthesis method using the Interaural Time
Difference (ITD) and psychoacoustic descriptors are presented here as a way to develop …

Psychologist Gustav Fechner is credited with conducting the first empirical studies of human
aesthetic response in the 1860s. His experiments seemed to show that golden rectangles …

Here we present a preliminary study on the development of an interactive computer music
method to create musical pieces based on the intervenient relation between a musician …

In Generative Art produced with computational support, gestural data has been increasingly
considered an important source of information that is, at the same time, intuitively created …

We present an interactive sound spatialization and synthesis system based on Interaural
Time Difference (ITD) model and Evolutionary Computation. We define a Sonic Localization …

This work describes the implementation of RePartitura, a processual multi-modal artwork
that uses principles of Evolutionary Computation (EC) in the creation of a Pd patch that …