Embedding musicians' occupational health training in music education curricula is widely recommended due to the well-documented high prevalence of performance-related health …
A Zão, E Altenmüller, L Azevedo - Journal of Occupational Rehabilitation, 2024 - Springer
Purpose We aimed to evaluate factors associated with performance-related pain among musicians with different backgrounds, comparing music students and professional …
VAE Baadjou, BJ Ackermann, JA Verbunt… - Health Promotion …, 2021 - academic.oup.com
A randomized controlled trial was conducted comparing the effects of a biopsychosocial course (PRESTO-Play) vs. physical activity promotion (PRESTO-Fit) to reduce disability …
Musicians create sound that is enjoyable to themselves and their audience, but this same sound also threatens their hearing health due to high sound pressure levels generated by …
JM McCrary, S Ascenso, P Savvidou, S Schraft… - Frontiers in …, 2022 - frontiersin.org
Background/aims High occupational injury rates are reported in musicians, with a career prevalence of up to 89%. Fatigue and playing (over) load are identified as key risk factors for …
J Bruder, N Ballenberger, B Villas, C Haugan… - BMC Research …, 2021 - Springer
Objective Music-related physical and mental health conditions are common among post- secondary music students, with many studies reporting a prevalence greater than 70 …
BJ Ackermann, S Wijsman, M Halaki - British Journal of Music …, 2024 - cambridge.org
Widespread research over four decades has shown that musicians suffer physical and psychological injuries that can begin during childhood and early adulthood. A survey of 268 …
Making music require musicians to show optimal levels of physical, cognitive, emotional, and technical skills, which at times can be detrimental to their health and wellbeing. The …
B Ackermann - … International Handbook of Music Psychology in …, 2021 - taylorfrancis.com
The act of active participation in music-making has been clearly shown to have a range of positive health effects on both the performer and the listener across their lifespan, and yet …