Instrumentally oriented and individualistic approaches dominate the current perspectives on
musical interaction and technologically oriented composition. A view that focuses on the …

This paper explores participatory and socially engaged practices in ubiquitous music
(ubimus). We discuss recent advances that target timbre as their focus while incorporating …

Current musical practices point to convergent research trends that bring together eco-
composition, cooperative composition, mobile music and networked music. We present …

ABSTRACT The PebbleBox and the CrumbleBag are examples of a granular interaction
paradigm, in which the manipulation of physical grains of arbitrary material becomes the …

This paper has two main objectives:(i) to discuss essential concepts of the ecological
approach to composition, proposing the term eco-composition as a common reference for …

Sounds around us convey the context of daily life activities. There are 360 million individuals
[1] worldwide who experience some form of deafness. For them, missing these contexts such …

Abstract We place Ubiquitous Music research within the context of current creativity theories.
Given the ongoing theoretical discussion on the relevance of domain-specific or general …

In this paper we present SEED, a generative system capable of arbitrarily extending
recorded environmental sounds while preserving their inherent structure. The system …

We tackle the theoretical implications of an emergent field of study, ubiquitous music
(ubimus). Striving to place musical research within the wider field of creativity studies, this …

This paper proposes analysis by modeling as a complement to current analytical practices.
We present an analysis of Xenakis's algorithmic composition ST/10-1 080262. Two models …