A Social Aesthetics and Ethics of Imperfection: Insights from Karnatak Music, Jazz and Free Improvisation
L Pearson - Imperfectionist Aesthetics in Art and Everyday Life, 2022 - taylorfrancis.com
How can we better understand the entanglement of aesthetics and ethics in cultural
practices, and how does this entanglement intersect with current discourses on imperfection …
practices, and how does this entanglement intersect with current discourses on imperfection …
A socially situated approach to aesthetics
L Pearson - The Aesthetics of Imperfection in Music and the Arts …, 2020 - torrossa.com
Four musicians–a vocalist, violinist and two percussionists–are on a concert stage in South
India. They are performing Karnatak music, a style that developed historically from music …
India. They are performing Karnatak music, a style that developed historically from music …
Musical sustainability vis-à-vis intangible cultural heritage: safeguarding and incentives in the Feast of the Virgin of Candelaria, Puno, Perú
R Chocano - Ethnomusicology Forum, 2022 - Taylor & Francis
Both comparative assessment of the concept of intangible cultural heritage (ICH) and
developments in musical sustainability, to ensure the viability of grassroots musical …
developments in musical sustainability, to ensure the viability of grassroots musical …
Cultural Specificities in Carnatic and Hindustani Music: Commentary on the Saraga Open Dataset
L Pearson - Empirical Musicology Review, 2021 - emusicology.org
This commentary explores features of the" Saraga" article and open dataset, discussing
some of the issues arising. I argue that the CompMusic project and this resulting dataset are …
some of the issues arising. I argue that the CompMusic project and this resulting dataset are …
[引用][C] 87 A Social Aesthetics and Ethics of Imperfection: Insights from Karnatak Music, Jazz and Free Improvisation
L Pearson - Imperfectionist Aesthetics in Art and Everyday Life - Routledge