FAMA, ESTAMPAS Y PINCELES: CITAS VISUALES DEL JUICIO FINAL DE MIGUEL ÁNGEL ENTRE EUROPA Y LOS ANDES (SIGLOS XVI-XVIII)

AR Romero - ARS (São Paulo), 2021 - SciELO Brasil
El estudio de las estampas y sus usos como modelos para la pintura de la temprana
modernidad en el cruce con la circulación global de las imágenes ha permitido reconstruir …

A Last Judgment Print from Flanders: Paths of Michelangelo toward Spanish America

AR Romero - The Routledge Companion to Global Renaissance …, 2024 - taylorfrancis.com
An object (Figure 6.8. 2). An image. An emblematic commercialized paper product of the
early modern age. An object conceived as a multiple, to be replicated in many ways. In this …

Materializing the Invisible: Landscape Painting in Viceregal Peru as Visionary Painting

S Ferrero - Arts, 2021 - mdpi.com
Landscape painting in Peru typically does not receive much attention from critical dis-
course, even though the adoption of the Flemish landscape by Andean viceregal painters …

Atribución de una pintura a Mateo Pérez de Alesio en Lima

JS Gil, LC Noa - Archivo Español de Arte, 2024 - xn--archivoespaoldearte-53b …
Atribución de una pintura a Mateo Pérez de Alesio en Lima; The Attribution of a Painting to
Mateo Pérez de Alesio in Lima Page 1 Archivo Español de Arte, 97 (387) Julio-septiembre …

[PDF][PDF] Materializing the Invisible: Landscape Painting in Viceregal Peru as Visionary Painting. Arts 10: 57

S Ferrero - 2021 - academia.edu
Landscape painting in Peru typically does not receive much attention from critical discourse,
even though the adoption of the Flemish landscape by Andean viceregal painters became a …

[图书][B] Rubens in a New World: Prints, Authorship, and Transatlantic Intertextuality

AM Hyman - 2017 - search.proquest.com
Abstract In the Viceroyalties of New Spain and Peru, artists produced works that copied, in
part or whole, prints by the Flemish artist Peter Paul Rubens (1577-1640) that had been sent …