In this paper, how the notion of violin quality is conveyed in spontaneous verbalizations by experienced violinists during preference judgments is investigated. The aims of the study …
S Giraldo, G Waddell, I Nou, A Ortega, O Mayor… - Frontiers in …, 2019 - frontiersin.org
The automatic assessment of music performance has become an area of increasing interest due to the growing number of technology-enhanced music learning systems. In most of …
Z Wallmark - Music & Science, 2019 - journals.sagepub.com
Many adjectives for musical timbre reflect cross-modal correspondence, particularly with vision and touch (eg,“dark–bright,”“smooth–rough”). Although multisensory integration …
AC Disley, DM Howard - Speech, Music and Hearing, 2004 - Citeseer
This paper explores whether words used to describe pipe organ ensembles have correlation with specific spectral features. Similar previous work has concentrated on single pipes in …
S Li, R Timmers - Journal of New Music Research, 2020 - Taylor & Francis
Whether piano touch can influence piano timbre or not is a highly contested topic between acousticians and musicians. To gain insight into the ways in which pianists understand and …
ABSTRACT Alluri, Vinoo Acoustic, Neural, and Perceptual Correlates of Polyphonic Timbre Jyväskylä: University of Jyväskylä, 2012, 76 p.(Jyväskylä Studies in Humanities ISSN 1459 …
S Werner, J Liebetrau - 2013 Fifth International Workshop on …, 2013 - ieeexplore.ieee.org
This contribution describes effects on perceived direction, distance, and externalization of auditory events by changing or shaping two energy based parameters of recorded binaural …
This dissertation presents an interdisciplinary, systematic study of the expression of piano timbre by advanced-level pianists in the context of musical performance and practice. To …
It is well-known that the perception of the position of audio and video stimuli is not independent. In general, video dominates the position if the position offset between audio …