Although artists must usually be self‐reliant when managing their business, an artist's
education typically concentrates on artistic skills rather than managerial knowledge. This …

Die Wiener Staatsoper kann bei vielen ihrer Produktionen mit einer Auslastung von über 90
Prozent rechnen. Das wird nicht nur vom bald scheidenden Langzeit-Direktor immer wieder …

This paper proposes a production function for artistic output in which quantity and quality of
output are specified as joint products from the inputs of labour and capital provided by …

This article analyses a labour supply model in which individuals maximize a utility function
that depends on leisure time, consumption and time devoted to an activity that is termed …

This paper assesses the relative impact of work for money or work for passion on Norwegian
artists by examining artists' labor supply. Our contribution is twofold. The first is to test the …

The purpose of this paper is to investigate the relation between the economic resilience and
cultural behaviour, resorting to the evidence provided by 20 Italian regions at the time of …

Artists' earnings and labour market behaviour have been studied for a long time in cultural
economics. Early work includes Felton (1980) and Towse (1993). The research has mainly …

This study evaluates the effects of labour force participation on the share of private
expenditure for cultural and recreational goods and services. We consider a panel of …

Labour force in the art sector is characterised by high qualification, but low income for those
people who perform the core contribution in art, ie the artists. As artists are typically self …

The behaviour of artists appears to be influenced by non‐pecuniary benefits that lead to
employment choices inconsistent with traditional expectations of labour supply theory. The …