Reexamining the roles played by author, reader, scribe, and text in medieval literary
practice, John Dagenais argues that the entire physical manuscript must be the basis of any …

Representing Others in Medieval Iberian Literature explores the ways Arabic, Jewish and
Christian intellectuals in medieval Iberia (courtiers and clerics) adapt and transform the …

Eloísa Palafox, Las éticas del exemplum. Los Castigos del rey don Sancho IV, El Conde
Lucanor y el Libro de buen amor, México: Universidad Nacional Autónoma de México, 1998 …

In eras when women's roles were heavily circumscribed, fictions about courtship and
wedlock granted women writers an unassailable framework through which they contested …

El nombre propio, la identidad, la firma, la herencia o el disfraz son consustanciales al
género humano desde la Antigüedad hasta nuestros días. Si bien es cierto que los …

This is a study of major figures, texts, and periods in Spanish literature prior to 1700. It
applies-and interrogates-modern critical theory. Contributing to its cohesiveness are the time …

rwrr''al ua i, vi U oru-ul vl aiii, jaa ('i The" Pitas Pay as" Episode? of the Libro de buen amor:?
Its Structure and Comic? Climax JOHN S. GEARY" El prestigio del latin hace que los autores …

Names or nicknames of tricksters, who often appear in both oral culture and in literature in
the guise of servants or fools, are infused with what Bakhtin (16-17, 27-28, 48, 164-68, et …

In the tale ofBoccaccio's l'usignuolo in gabbia (Dee. V, 4) the medieval interaction (or
heteroglossia) between oral culture and the written language of the emerging literary form of …

The name which the Archpriest of Hita chooses for the paramour of Don Melon in his
adaptation the Pamphilus has invited considerable speculation among scholars. The …