Gestures in contemporary music performance: a method to assist the performer's artistic process

G Caruso, E Coorevits, L Nijs… - Contemporary Music …, 2016 - Taylor & Francis
In this paper, we propose a method to assist a performer in dealing with the challenges of
contemporary music performance. Such a method aims at making a performer's artistic …

Choose your own adventure music: On the emergence of voice in musical collaboration

D Gorton, S Östersjö - Contemporary Music Review, 2016 - Taylor & Francis
The practices of collaborating composers and performers have been receiving increasing
attention within academic discourse. Such collaborations are often presented from two …

Musical instruments, body movement, space, and motion data: music as an emergent multimodal choreography

F Visi, E Coorevits, R Schramm, E Miranda - 2017 - pearl.plymouth.ac.uk
Music is a complex multimodal medium experienced not only via sounds but also through
body movement. Musical instruments can be seen as technological objects coupled with a …

Method development for multimodal data corpus analysis of expressive instrumental music performance

FG Visi, S Östersjö, R Ek, U Röijezon - Frontiers in Psychology, 2020 - frontiersin.org
Musical performance is a multimodal experience, for performers and listeners alike. This
paper reports on a pilot study which constitutes the first step toward a comprehensive …

Go To Hell: Towards a Gesture-Based Compositional Practice

S Östersjö - Contemporary Music Review, 2016 - Taylor & Francis
This paper discusses musical gesture from an understanding of musical perception as
embodied and enactive, also drawing specifically on Denis Smalley's [(2007). Space-form …

Voices, bodies, practices: performing musical subjectivities

C Laws, D Gorton, W Brooks - 2019 - torrossa.com
57 1.8. The performance set-up in the Orpheus Institute Auditorium, showing microphones,
Nintendo Wii remotes, the sensor surface underneath Stefan's chair, and the infrared …

[PDF][PDF] Mirroring the intentionality and gesture of a piano performance: An interpretation of 72 Etudes Karnatiques

G Caruso - 2018 - biblio.ugent.be
This doctoral dissertation bears witness to the research interests that emerged from my
artistic practice as a pianist and the related empirical studies I conducted as artist researcher …

" My avatar and me": Technology-enhanced mirror in monitoring music performance practice

G Caruso, L Nijs, M Leman - Innovation in Music, 2021 - taylorfrancis.com
This chapter proposes an empirical approach to monitoring music performance practice as
developed at IPEM, Institute of Psychoacoustic and Electronic Music of Ghent University. It …

Dancing Dots-Investigating the Link between Dancer and Musician in Swedish Folk Dance

O Misgeld, A Holzapfel, S Ahlbäck - Sound & Music Computing …, 2019 - diva-portal.org
The link between musicians and dancers is generally described as strong in many
traditional musics and this holds also for Scandinavian Folk Music-spelmansmusik …

When arts and science meet: Digital technology in artistic research

G Caruso, L Nijs - Journal of Music, Technology & Education, 2020 - intellectdiscover.com
In recent decades, advancements in digital technologies have become a rich source of
inspiration for artists, who seek to leave the trodden paths and find novel ways of …