How do twenty-first century theatre practitioners negotiate the dynamics of tradition and
innovation across the works of Samuel Beckett? Beckett's own tendencies toward fluidity of …

This article analyses two intermedial adaptations of works by Beckett for performance in
relation to Ágnes Pethő's definition of intermediality as a border zone or passageway …

Approaching Beckett with intermediality in mind automatically calls up the vexed issues of
adaptation and experimentation that pertain to his work. The fact that Beckett worked across …

Beckett's writing for theatre treats the theatre as a laboratory of performance. By design, this
laboratory realizes new configurations of attention for encounters with performance that test …

This is the first monograph to analyse Beckett's use of the visual arts, music, and
broadcasting media through a transdisciplinary approach. It considers how Beckett's …

After first developing a taxonomy of intermedial prose performance based on distinctions in
how an audience member or user experiences the work phenomenologically, this essay …

Festivals are quite often the scenes through which ideas of nation, cultural value and the
literary canon are negotiated, as Brian Singleton has remarked about Irish festival practices …

This chapter discusses the relationship between the Irish stage and screen. Historically, Irish
theatre has been favoured over cinema, the latter being viewed as compromised by its …