Interactive navigation within geometric, feature-based database representations allows expressive musical performances and installations. Once mapped to the feature space, the …
F Visi, B Caramiaux… - … of NIME 2017 …, 2017 - plymouth.researchcommons.org
This paper presents a knowledge-based, data-driven method for using data describing action-sound couplings collected from a group of people to generate multiple complex …
We propose ways of enriching the timbral potential of gestural sonic material captured via piezo or contact microphones, through latency-free convolution of the microphone signal …
H Ding, D Schwarz, C Jacquemin… - Proceedings of the 16th …, 2011 - dl.acm.org
In audio-graphic scenes, visual and audio modalities are synchronized in time and space, and their behaviour is determined by a common process. We present here a novel way of …
This paper will introduce the creative process of the project Drifting (2022), a recent sound art performance piece of the Brushing Series. The process of this work involves an organic …
M Marier - Journées d'Informatique Musicale, 2012 - hal.science
en musique, médias et technologie (CIRMMT) RÉSUMÉ L'auteur explique son approche de la composition et de l'interprétation de la musique électroacoustique. Il cherche à retrouver …
We present a re-realization of David Wessel's Antony (1977). Antony was originally composed using a novel set of additive synthesis techniques developed for the 4A and the …
Résumé Simulation en temps réel de scènes audio-visuelles complexes reste difficile en raison du processus de rendu techniquement indépendant mais perceptivement lié à …
Real-time simulation of complex audio-visual scenes remains challenging due to the technically independent but perceptually related rendering process in each modality …