[图书][B] A story to every dance: the role of lore in enhancing the Scottish solo dance tradition

MH Melin - 2018 - researchrepository.ul.ie
While growing up, I occasionally learnt some Highland dances through my local Scottish
Country Dance class in Stockholm, Sweden. I later deciphered solo dances through various …

Step dancing in Cape Breton and Scotland: Contrasting contexts and creative processes

MH Melin - 2013 - researchrepository.ul.ie
This article briefly outlines the migration of percussive step dancing to Cape Breton Island
from the Scottish Highlands in the 19th century and the introduction of this dance genre to …

A New Approach to the Classification of Gaelic Song

V Blankenhorn - Oral Tradition, 2018 - muse.jhu.edu
A good deal of water has flowed under the bridge since James Ross published “A
Classification of Gaelic Folk-Song” in 1957. 1 Ross's study was typical of a time when …

Rob Donn MacKay: finding the music in the songs

EL Beard - 2016 - era.ed.ac.uk
This thesis explores the musical world and the song compositions of eighteenth-century
Sutherland Gaelic bard Rob Donn MacKay (1714-1778). The principal focus is musical …

Expressive microtimings and groove in Scottish Gaelic fiddle music

KM Glen - 2015 - open.library.ubc.ca
This project examines how “groove” can be created through the microtimings of a solo
instrument, rather than as discrepancies between multiple instruments or parts, as is often …

[HTML][HTML] Dh'Ith na Coin na Maragan

S MacMullin - Cànan tro Òrain, 2022 - caul-cbua.pressbooks.pub
Background Puirt-à-beul, or mouth tunes, are fun and uplifting. Often composed in an
intricate weaving of words, many are lighthearted and include much repetition. Singing puirt …