Often considered the lowest depth to which cinema can plummet, the rape-revenge film is broadly dismissed as fundamentally exploitative and sensational, catering only to a …
Throughout the history of cinema, horror has proven to be a genre of consistent popularity, which adapts to different cultural contexts while retaining a recognizable core. Horror Film: A …
Since the turn of the millennium, a growing number of female filmmakers have appropriated the aesthetics of horror for their films. In this book, Patricia Pisters investigates contemporary …
Arguing for the need to understand Gothic cinema as an aesthetic mode, this book explores its long history, from its transitional origins in phantasmagoria shows and the first 'trick'films …
This book looks at contemporary Gothic cinema within a transnational approach. With a focus on the aesthetic and philosophical roots which lie at the heart of the Gothic, the study …
Combining industrial research and primary interview material with detailed textual analysis, Contemporary British Horror Cinema looks beyond the dominant paradigms which have …
Page 1 EXTREME ASIA thE RiSE OF CULt CiNEMA FROM thE FAR EASt DANiEL MARtiN Page 2 Extreme Asia The Rise of Cult Cinema from the Far East Daniel Martin Page 3 For …
R Wilson - boundary 2: an international journal of literature …, 2019 - read.dukeupress.edu
Crazed with extremity of affect, thriller action, and a cosmopolitical style as befits the Korean- global blockbuster mode of auteur production, Bong Joon-ho's 2013 film Snowpiercer also …
J Byrne - Journal of Japanese and Korean Cinema, 2014 - Taylor & Francis
This article explores the relationship between Japanese and South Korean horror cinema by examining the cross-cultural exchange illustrated by The Ring Virus, the South Korean …