Video sharing platforms like YouTube are increasingly targeted by aggression and hate attacks. Prior work has shown how these attacks often take place as a result of" raids," ie …
S Corvite, J Hui - Proceedings of the ACM on Human-Computer …, 2024 - dl.acm.org
People share and encounter a range of posts on social media that depict different career experiences, such as one's successes or failures. In a continually shifting world of work …
L Song, W Wu, C Fu, CC Loy… - IEEE Transactions on …, 2022 - ieeexplore.ieee.org
Existing automated dubbing methods are usually designed for Professionally Generated Content (PGC) production, which requires massive training data and training time to learn a …
8 한국언론학보 64 권 1 호 (2020 년 2 월) majority of fandom remained only as viewers on YouTube, and was very reluctant in not only participating in conversations but also …
M Gutiérrez, C Ubani - Feminismo/s, 2023 - revistes.udua.es
La teoría feminista ha explorado la sexualización visual de las mujeres. Los estereotipos de género y la sexualización se encuentran en videos musicales, cine, series de televisión …
M Goddard - … Sound: Repeatable Culture, YouTube and Music, 2023 - torrossa.com
'Like, comment and subscribe'–so begins almost every reaction video on YouTube that collectively constitute a strange ecology of affective labour and cultural translation that merits …
M Chen, P Tang, Z Wang, S Xiao, X Yang - arXiv preprint arXiv …, 2022 - arxiv.org
We consider designing reward schemes that incentivize agents to create high-quality content (eg, videos, images, text, ideas). The problem is at the center of a real-world …
C Qi, T Wang, M Zhao, J Hao - 2023 - aisel.aisnet.org
Co-creation is a newly emerging video production method on the UGC video platform. Based on the transactive memory systems and social capital theory, this paper describes the …
The purpose of this is to examine the gender difference in the effects of foreign contemporary music delivery media's richness in language (eg, not understandable …