This paper addresses environmental issues around NIME research and practice. We
discuss the formulation of an environmental statement for the conference as well as the …

Self-resonating vibrotactile instruments (SRIs) are hybrid feedback instruments,
characterised by an electro-mechanical feedback loop that is both the means of sound …

This paper describes the development of CAVI, a coadaptive audiovisual instrument for
collaborative human-machine improvisation. We created this agent-based live processing …

Detection of the temporal reversibility of a given process is an interesting time series
analysis scheme that enables the useful characterisation of processes and offers an insight …

Theories across sciences and humanities posit a central role for musicking in the evolution
of the social, biological and technical pat-terns that underpin modern humanity. In this talk I …

This thesis explores double bass feedback systems, with a focus on the FAAB
(feedbackactuated augmented bass)—a self-resonating vibrotactile feedback string bass …

The Nalima is a self-resonating vibrotactile instrument, a hybrid digital-electro-acoustic
system based around interaction with a membrane. It uses a novel method of Integrated …

The no-input mixer is an appealing instrument for practitioners seeking a constant
negotiation of their musical desires with the instrument's complex agency and affordances …

In this article, we introduce the coadaptive audiovisual instrument, CAVI. This instrument
uses deep learning to generate control signals based on muscle and motion data of a …

BACKGROUND In February 1998, I was a 17-year-old electric bass player, playing in rock
bands but getting into jazz and dreaming of owning a double bass. Acting on a tip that an …