[With the birth of film came the birth of a revolutionary visual language. This new, unique
vocabulary–the cut, the fade, the dissolve, the pan and the new idea of movement–gave not …

Lost Landscapes offre un viaggio nel tempo e nello spazio attraverso immagini d'archivio
che arricchiscono il panorama dei media digitali. Grazie al lavoro e all'interpretazione di …

Provides a new topographical methodology for the study of cinema and the
HolocaustJourney to Poland addresses crucial issues of memory and history in relation to …

The experience of time and space is one of the main veins of cinema and architecture. The
area where the two disciplines intersect in this direction can be read within the framework of …

The role of amateur footage in archiving and documenting the past has only been recently
acknowledged in the Italian media landscape. The article makes a comparative overview of …

New York in Cinematic Imagination is an interdisciplinary study into urbanism and cinematic
representations of the American metropolis in the twentieth century. It contextualizes spatial …

Geodatabases are tools that can help viewers to reread landscapes through media,
especially when applied to distinct collections, such as in home movies. In Italy, archival …

Cinema constitutes a way of looking at the world, at a world–its aspect, its appearance; but it
also presents how that world looks, its prospect–by the prospective glance it throws back …

This article makes the case for the zemiological value of Fredric Jameson's (2019) model of
fourfold allegory. Zemiological value is the value in reducing harm and it is realized by …

They took me up, up. Very far, maybe 300 miles, until we came to Lublin.(Art Speigelman,
Maus 1) With the words cited above, in Art Spiegelman's graphic novel Maus (1980–1991) …