Instrumentally oriented and individualistic approaches dominate the current perspectives on
musical interaction and technologically oriented composition. A view that focuses on the …

La Teoría de la Metáfora formulada por Mark Johnson (1987), una de las teorías filosófico-
cognitivas que más se ha aplicado a la música en los últimos años (Marconi 2001; Saslaw …

I only went out for a walk, and finally concluded to stay out till sundown, for going out, I
found, was really going in. John Muir (1913) This article describes several recent projects …

This paper has two main objectives:(i) to discuss essential concepts of the ecological
approach to composition, proposing the term eco-composition as a common reference for …

The author's close connection to traditional Alaskan culture has inspired the creation and
implementation of new multimedia instruments based on the use of ritual objects in …

This article examines the possibilities afforded by the use of ecological models in
electroacoustic compositions within a semiotic framework for composition. The ecological …

Abstract We place Ubiquitous Music research within the context of current creativity theories.
Given the ongoing theoretical discussion on the relevance of domain-specific or general …

We present results of a ten-month design study targeting the observation of creative artistic
practice by a video-artist, a sculptor and a composer. The study yielded the multimedia …

We tackle the theoretical implications of an emergent field of study, ubiquitous music
(ubimus). Striving to place musical research within the wider field of creativity studies, this …

This paper proposes analysis by modeling as a complement to current analytical practices.
We present an analysis of Xenakis's algorithmic composition ST/10-1 080262. Two models …