Examining John Keats's reworking of the romance genre, Rachel Schulkins argues that he is
responding to and critiquing the ideals of feminine modesty and asexual femininity …

Mary Blachford Tighe was born in Dublin in 1772 and became a poet by the age of
seventeen. Her enormously popular 1805 epic poem Psyche; or, The Legend of Love made …

“Psyche” is the legend of love; the poem is infused with a rather delightful suppressed
eroticism which may have had something to do with its huge success, though Mary herself …

Much ink has been spilt in asserting what it is we do when we read; our proper proximity,
pace, and disposition to texts all seem to be recently up for grabs, as they have been so …

This essay offers a survey of critical (and uncritical) responses to Mary Tighe from the initial
private printing of her epic poem Psyche; or, the Legend of Love in 1805 to the present. It …

The essay overviews Mary Tighe's life, work, and criticism from contemporary reviews to
current scholarship. Biography provides basic details to situate the author relative to her …

Although it has most often been read in the tradition of American Transcendentalism,
Marilynne Robinson's Housekeeping (1980) bears strong affinities with English …

Barnett explores how the pagan adoptions of Mary Robinson, Mary Tighe, Mary Shelley,
Emma Hamilton, John Keats, and Leigh Hunt were read by contemporary critics as both …

This project is interested in how vision is represented, literally and metaphorically, in British
Romantic women's poetry. In light of a number of theoretical contexts, I explore recurring …

John Keats composed his narrative poem Lamia from late June to early September 1819.
The story of the poem is based on a short anecdote about a sage in The Anatomy of …