Object-based six-degrees-of-freedom rendering of sound scenes captured with multiple ambisonic receivers

L McCormack, A Politis, T McKenzie… - AES: Journal of the …, 2022 - researchportal.tuni.fi
This article proposes a system for object-based six-degrees-of-freedom (6DoF) rendering of
spatial sound scenes that are captured using a distributed arrangement of multiple …

Immersive audio, capture, transport, and rendering: A review

X Sun - APSIPA Transactions on Signal and Information …, 2021 - cambridge.org
Immersive audio has received significant attention in the past decade. The emergence of a
few groundbreaking systems and events (Dolby Atmos, MPEG-H, VR/AR, AI) contributes to …

A Modular, Low Latency, A2B-based Architecture for Distributed Multichannel Full-Digital Audio Systems

N Rocchi, A Toscani, D Pinardi, M Binelli… - 2021 Immersive and …, 2021 - ieeexplore.ieee.org
Despite the increasing demand for multichannel audio systems, existing solutions are still
mainly analog or audio-over-IP based, leading to well-known limitations: bulky wiring, high …

Ambisonics decoder design based on sparse plane wave decomposition

X Hong, B Du, X Zeng - Applied Acoustics, 2023 - Elsevier
Sound field reproduction by loudspeaker array is an important way to create acoustical
virtual reality. High order ambisonics (HOA) is a highly applicable method to reproduce a …

Binaural Ambisonics: Its optimization and applications for auralization

M Otani, H Shigetani, M Mitsuishi… - Acoustical Science and …, 2020 - jstage.jst.go.jp
To better understand acoustic environment and the resulting auditory perception, it is
essential to capture, analyze, and reproduce a sound field as a three-dimensional physical …

Objective comparison of 3D audio reproduction with and without bottom channels

W Howie, A Marui, T Kamekawa, F Grond… - … Society Conference: AES …, 2023 - aes.org
This study examines several different methods for measuring objective differences between
3D audio reproduction conditions with and without bottom channels (floor-level loudspeaker …

Perceptual Comparison of 3D Audio Reproduction With and Without Bottom Channels

W Howie, D Martin, A Marui, TK Kamekawa… - Journal of the Audio …, 2024 - aes.org
This study examines the perceptual effects of bottom channels, ie, floor-level loudspeakers,
within 3D audio reproduction. Two listening tests were undertaken at three different venues …

Up-wgan: Upscaling ambisonic sound scenes using wasserstein generative adversarial networks

Y Wang, X Wu, T Qu - Audio Engineering Society Convention 152, 2022 - aes.org
Sound field reconstruction using spherical harmonics (SH) has been widely used. However,
order-limited summation leads to an inaccurate reconstruction of sound pressure when the …

Synthesis of musical instrument directivities with a single common loudspeaker (L)

R Hara, T Iwami, H Kashiwazaki… - The Journal of the …, 2021 - pubs.aip.org
This letter synthesizes musical instrument directivities by sequentially rotating a loudspeaker
through multiple orientations. The synthesis is conducted in a spherical harmonic domain …

Analytic error control methods for efficient rotation in dynamic binaural rendering of ambisonics

T Magariyachi, Y Mitsufuji - The Journal of the Acoustical Society of …, 2020 - pubs.aip.org
Dynamic binaural rendering of Ambisonics considering head movements gives a highly
realistic sensation to listeners owing to the precise localization and the presence of dynamic …