This paper aims to present a systematic literature review of research in music information
seeking and its application to musical creativity and creative activities and in particular …

Introduction por the purpose of this o dm p we onsider wusi snform tion ese rh@ ws A s (eld
th t overs ll the rese rh topi s involved in the underst nding nd modelling of musi nd th t use …

User studies in the music information retrieval (MIR) domain tend to be exploratory and
qualitative in nature, involving a small number of users, which makes it difficult to derive …

Most of the previous literature on music users' needs, habits, and interactions with music
information retrieval (MIR) systems focuses on investigating user groups of particular …

A variety of digital data sources—including institutional and formal digital libraries, crowd-
sourced community resources, and data feeds provided by media organisations such as the …

A widely distributed online survey gathered quantitative and qualitative data relating to the
use of technology in the research practices of musicologists. This survey builds on existing …

This article encourages further discussion of certain concepts and practices for the music
theatre creations by the composer Constança Capdeville (1937-92) in keeping with the time …

Personalized and user-aware systems for retrieving multimedia items are becoming
increasingly important as the amount of available multimedia data has been spiraling. A …

This thesis is about interactive music, a musical experience that involves participation from
the listener but is itself a composed piece of music and the Interactive Music Systems (IMSs) …

The key contribution of this paper is to describe and demonstrate a novel application of
grounded theory to the analysis of a human/machine music performance. Rather than …