Typically, when a technology is seen as becoming obsolete, users, developers, maintainers
and other relevant groupings will reassess their relationship to the technology, and may …

On a cold winter's day in southern Germany in early December 2008, upon my arrival at the
ZKM Center for Art and Media Karlsruhe where I held the position of conservator, I received …

Conceptual art challenges the idea of traditional art conservation. Aimed at negating the
unique material object in art, conceptual artworks confront the conservator with difficult …

Contemporary art challenges the traditional idea of a musealium as well as institutional
procedures related to collection care and preservation. Conventionally, visual artworks have …

Acquired in 2015, Sara Hughes' Torpedo in the collection of the Art Gallery of New South
Wales (AGNSW) is a wall installation comprised of hundreds of painted and hand-stencilled …

The immanent features of contemporary art, understood as a new paradigm of artistic
practice, call for new approaches to the institutional collecting and all interrelated practices …

“EXPERIÊNCIA DE CINEMA”: EXPOSIÇÃO E CONSERVAÇÃO Em Busca da “Performance
Autêntica” João José Maçãs Biscainho Page 1          “EXPERIÊNCIA DE CINEMA” …

New technologies are increasingly present in museum collections. They were considered
experimental when used as art in the 1960's and pushed the boundaries of the art object …

Since the beginning of this century conservators have been trying to find solutions for
artworks that are reliant on specific technology that has become obsolete over time. This …

Medienkunst–und vor allem installative Medienkunst–bedarf für ihre Erhaltung einer
ausführlichen Dokumentation. Diese Dokumentation muss dabei ein spezifisches …