Instrumentally oriented and individualistic approaches dominate the current perspectives on
musical interaction and technologically oriented composition. A view that focuses on the …

This book represents a first step in trying to define Ubiquitous Music (UbiMus) as an
interdisciplinary research area that lies at the intersection of music, computer science …

The concept of everyday musical creativity is related to non-professional musical activities
carried out in venues not intended for artistic practice. Everyday musical creativity demands …

We introduce a method for imposing higher-level structure on generated, polyphonic music.
A Convolutional Restricted Boltzmann Machine (C-RBM) as a generative model is combined …

Mobile music making has established itself as a maturing field of inquiry, scholarship, and
artistic practice. While mobile devices were used before the advent of the iPhone, its …

This book provides a survey of a number of recent topics of research in ubiquitous music
(ubimus), a research area that represents an intersection of several disciplines from music to …

In this chapter we describe a set of creativity-centred design methods including strategies for
interaction, signal processing, planning, prototyping and creativity assessment. Social …

Two concepts are presented, extended, and unified in this paper: mobile device
augmentation towards musical instruments design and the concept of hybrid instruments …

Abstract We place Ubiquitous Music research within the context of current creativity theories.
Given the ongoing theoretical discussion on the relevance of domain-specific or general …

This paper reports on two approaches to provide a general-purpose audio programming
support for web applications based on Csound. It reviews the current state of web audio …