A Social Aesthetics and Ethics of Imperfection: Insights from Karnatak Music, Jazz and Free Improvisation
L Pearson - Imperfectionist Aesthetics in Art and Everyday Life, 2022 - taylorfrancis.com
How can we better understand the entanglement of aesthetics and ethics in cultural
practices, and how does this entanglement intersect with current discourses on imperfection …
practices, and how does this entanglement intersect with current discourses on imperfection …
[PDF][PDF] Roma-ness in Music, Music in Roma-ness: The Musical Craft of Slovak Roma in Klenovec and Kokava
P Nuska - 2022 - researchgate.net
Klenovec is a rázovitá municipality situated in the Veporské Rudohorie valley. The
municipality's name is derived from the sycamore maple [klen] tree. This is how the …
municipality's name is derived from the sycamore maple [klen] tree. This is how the …
MUSIKÄSTHETIK
GW Bertram, M Zorn, H Schulze… - Musik & Ästhetik, 2021 - musikundaesthetik.de
Wenn man Sprache und Musik in dieser Weise analogisiert, muss man allerdings eine
zentrale Eigenschaft des Gesprächs in den Blick nehmen: seine improvisatorische Natur …
zentrale Eigenschaft des Gesprächs in den Blick nehmen: seine improvisatorische Natur …
[PDF][PDF] A socially situated aesthetics: Arguments from anthropology and neuroaesthetics
L Pearson - First Symposium of the ICTM Study Group on Sound …, 2021 - pure.mpg.de
BACKGROUND Aesthetics is a problematic concept for anthropologists (as well as for
ethnomusicologists and ethnochoreologists) due to the socio-historical specificity of many …
ethnomusicologists and ethnochoreologists) due to the socio-historical specificity of many …
[引用][C] 87 A Social Aesthetics and Ethics of Imperfection: Insights from Karnatak Music, Jazz and Free Improvisation
L Pearson - Imperfectionist Aesthetics in Art and Everyday Life - Routledge