Empowering Song: Music Education from the Margins weaves together subversive
pedagogy and theories of resistance with community music education and choral music …

This colloquy grew out of an especially lively panel discussion at the 2016 annual meeting
of the American Musicological Society, entitled “Sexual Violence on Stage.” Inspired in part …

This paper builds on focus groups with singers from a chamber choir that rehearses and
performs in Kitchener-Waterloo, Ontario. It explores the spatial politics of performance and …

This article considers mezzo-soprano Cathy Berberian's (1925–1983) contributions to the
historical performance movement. Berberian, an Armenian-American active in Italy, was …

Criticism of the foundational whiteness of western classical music's socio-cultural heritage
remains relatively rare, and the field continues to export a prestigious self-image of cultural …

For its devotees, reviving early music really did mean making history come alive. This
dissertation charts various meanings and implications of “revival” over the first three quarters …

The worlds of new music and historically informed performance might seem quite distant
from one another. Yet, upon closer consideration, clear points of convergence emerge. Not …

Choral Evensong is sung every day in Anglican churches across the UK, attracting
thousands of people each week to its congregations. In the context of declining Anglican …

At intervals throughout the twentieth century, serious disputes about authentic musical
values arose amongst performers, collectors, scholars, directors, reviewers, and audiences …

This dissertation looks at three newly composed operas that feature what I call cyber-
narratives: a work in which the story itself is inextricably linked with digital technologies, such …