Listening to the Other

S Östersjö - 2020 - torrossa.com
Listening comes first. We met in a corridor in the Academy of Music, talked for a bit and then
went to the space where they kept their instruments. The đàn tranh1 and the đàn bầu2 were …

Rethinking “musical excellence” from a decolonial perspective: Disruptive autobiographical experiences among doctoral scholars

L Liu, S Garcia-Cuesta, L Chambers… - … Journal of Music …, 2024 - journals.sagepub.com
This collaborative autoethnography was developed by recent doctoral students in music
from Southern Europe, Eurasia, East Asia, and North America, along with a professor based …

Why does copyright ignore performers? The case of flamenco in Spain

J Heredia-Carroza, LP Martos… - The Journal of Arts …, 2019 - Taylor & Francis
This article analyzes the gap between the perceived value of the performer's contributions to
the musical work and the treatment that it receives in the market. It applies to the case of …

Flamenco performer's perceived value: Development of a measurement index

J Heredia-Carroza - Scientific Annals of Economics and Business, 2019 - ceeol.com
This paper aims to explain the main elements influencing the perceived value of the
flamenco performer. In the framework of cultural economics, it presents a methodology …

HÉR! An Exploration of Artistic Agency

HS Stefansdottir - 2023 - portal.research.lu.se
This doctoral thesis is concerned with agency in the work of a performer, curator, and
composer, and how these agencies are socio-culturally constructed. Grounded in creative …

[PDF][PDF] In search of my voice

M Bäckman - Music+ Practice, 2023 - diva-portal.org
Mikael Bäckman is a harmonica player active mostly in the field of country music and blues.
He performs with his two bands John Henry, www. johnhenry. nu and Ramblin'Minds. Mikael …

[PDF][PDF] Art Worlds, Voice and Knowledge: thoughts on quality assessment of artistic research outcomes

S Östersjö - ÍMPAR Online journal for artistic research, 2019 - academia.edu
This paper discusses the nature of artistic knowledge, and proposes that knowledge
production through artistic research takes material and embodied forms. Further, the author …

[PDF][PDF] Participation and creation: towards an ecological understanding of musical creativity

HS Stefánsdóttir, S Östersjö - la Deleuziana, 2019 - researchgate.net
This paper draws on artistic explorations of territorial and spatial forces through analysis of
projects set in the natural landscape, in a specific indoor site or at the threshold between the …

[PDF][PDF] Wind and wood: affordances of musical instruments: The example of the simple-system flute

M Tullberg - 2021 - portal.research.lu.se
The aim of this doctoral dissertation is to explore and describe the relationship and
interaction between musicians and their instruments. In order to achieve a high level of …

Voices, bodies, practices: performing musical subjectivities

C Laws, D Gorton, W Brooks - 2019 - torrossa.com
57 1.8. The performance set-up in the Orpheus Institute Auditorium, showing microphones,
Nintendo Wii remotes, the sensor surface underneath Stefan's chair, and the infrared …