This article is an attempt to synthesize the current knowledge about synaesthesia from many
fields such as literature, arts, multimedia, medicine, or psychology. The main goal of this …

We consider the artist-programmer, who creates work through its description as source
code. The artist-programmer grandstands computer language, giving unique vantage over …

This book explores the relationship between words and music in contemporary texts,
examining, in particular, the way that new technologies are changing the literature-music …

The need for better software tools was highlighted in the 1997 Sonification Report [1]. It
included some general proposals for adapting sound synthesis software to the needs of …

Dance epitomises the challenge for the temporal arts in documenting, describing,
quantifying and explaining unspoken knowledge. In this chapter, we argue that the qualities …

WE often think about our senses as separate and independent of each other. However,
there are at least four problems with this naïve view. First, our experience of the world …

The controlled manipulation of digitally generated sound in computer music affords new
opportunities to investigate the cognitive accessibility of musical features additional to pitch …

Personalised creative computational or manual/performative exploration and perceptual
experimentation with the basic sonic and structural materials of music can initiate novel …

Sonification as a realistic practice, both for communicative and artistic purposes, raises
issues that need to be considered. In order to find a path to good sonifications, we need to …

This chapter will focus on the translation or trans-coding of a work from its print form as
'AFFECTions: friendship, community, bodies'(Brewster and Smith 2003) into its multimedia …