The early 21st century has seen contemporary art make continued use of audience
participation, in which the spectator becomes part of the artwork itself. In this book, Kaija …

Tutkimuksen lähtökohta on havainnossa, että nykyisissä käsityksissä oppimi-sesta ja
tavoissa kuvata sitä on paljon samaa kuin nykytaiteessa ja sitä selittä-vässä ja kuvailevassa …

Well into the twentieth century, curatorial care for collections and the self-negating
housekeeping usually performed by women may be compared as backstage agencies that …

Funding for American art museums has undergone significant changes in the past 20 years.
In particular, federal and corporate giving have substantially declined following the Great …

La médiation culturelle apparaît en France au milieu des années 1990, dans la foulée d un
vent de démocratisation qui souffle sur les institutions de la culture, dont le musée. Son …

Este artigo adota uma abordagem espacial feminista crítica para analisar a organização do
trabalho no campo da arte ea sua hierarquia patriarcalmente estruturada. Baseando-se nas …

Introduction in a recent series of lectures delivered at the institute of Fine Arts (iFA) and the
Frick Collection, Michael Ann Holly highlighted a moment in the 1950s when, she argues, art …

Youth forums–long-term programmes for young people, age 15 to 21, emerged in the mid
1990s in contemporary art museums in response to the misrepresentation of this age group …

Cet article porte sur la lutte de pouvoir entre la conservation et l'éducation au sein du musée
d'art, où l'un désire donner toute la place aux oeuvres, et l'autre stimuler l'apprentissage au …

This thesis examines the failure of the curatorial discourse of 'New Institutionalism'in relation
to the Public Programme at Tate Modern. It argues that New Institutionalism, despite being …