The concept of everyday musical creativity is related to non-professional musical activities
carried out in venues not intended for artistic practice. Everyday musical creativity demands …

O presente trabalho se propôs a investigar a aprendizagem musical colaborativa e a
motivação dos alunos para aprender utilizando as tecnologias digitais no contexto da …

​ Originally composed by Marcello Messina,​ Ntrallazzu is a cycle of pieces for live score
and electronics built on Max, and involving various instrumental line-ups. In particular,​ …

In this chapter we describe a set of creativity-centred design methods including strategies for
interaction, signal processing, planning, prototyping and creativity assessment. Social …

Abstract We place Ubiquitous Music research within the context of current creativity theories.
Given the ongoing theoretical discussion on the relevance of domain-specific or general …

Two recent approaches to interaction design have good potential to address creative
practice in everyday settings: interaction aesthetics and ubiquitous music. We discuss the …

We present results of a ten-month design study targeting the observation of creative artistic
practice by a video-artist, a sculptor and a composer. The study yielded the multimedia …

We tackle the theoretical implications of an emergent field of study, ubiquitous music
(ubimus). Striving to place musical research within the wider field of creativity studies, this …

This paper focuses on the prototyping stage of the design cycle of ubiquitous music
ecosystems. The authors present three case studies of prototype deployments for creative …

Taking as a point of departure recent theoretical advances in Interaction Design and Human-
Computer Interaction (Lowgren 2009), we discuss a body of knowledge gathered in …