This is the first full-length study to focus on the staging of Samuel Beckett's drama in Ireland
and Northern Ireland. Beckett's relationship with his native land was a complex one, but the …

‘The Neatness of Identifications’: Transgressing Beckett’s Genres in Ireland and Northern
Ireland, 2000–2015 Page 216 12 ‘The Neatness of Identifications’: Transgressing Beckett’s …

Entering the Marble Arch Caves was like being sucked into the belly of the mountain,
bringing to mind many images from Beckett's prose writing, of long corridor-like tunnels …

This article analyses two intermedial adaptations of works by Beckett for performance in
relation to Ágnes Pethő's definition of intermediality as a border zone or passageway …

This article considers Beckett's lively use of “offensive” material—sexual and faecal—as it
stages a confrontation with censorship practices. Following recent political readings of …

The indigenous rupkatha collections that appeared in the late nineteenth and early twentieth
Bengal, while purporting to be written transcriptions of an oral tradition, were effectively …

Samuel Beckett (1906–89) remains a central figure in the complex of ideas called
'modernism', and his still-evolving legacy continues to inform 'contemporary'aesthetics. How …

The reception of Samuel Beckett's literary work in Spain has been an irregular and peculiar
one, marked by a combination of factors including the moral resistance to innovation on the …

This thesis examines how philosophical influence shaped the representation of vision in
Beckett's critical writing and fiction. In order to undertake this analysis, I draw on trends …

The practice of women defending themselves in writing, which is often called the “women's
defence-narrative,” is a tradition that emerged in the late medieval period and continued as …