The concept of everyday musical creativity is related to non-professional musical activities
carried out in venues not intended for artistic practice. Everyday musical creativity demands …

This paper explores participatory and socially engaged practices in ubiquitous music
(ubimus). We discuss recent advances that target timbre as their focus while incorporating …

This book provides a survey of a number of recent topics of research in ubiquitous music
(ubimus), a research area that represents an intersection of several disciplines from music to …

In this chapter we describe a set of creativity-centred design methods including strategies for
interaction, signal processing, planning, prototyping and creativity assessment. Social …

Abstract We place Ubiquitous Music research within the context of current creativity theories.
Given the ongoing theoretical discussion on the relevance of domain-specific or general …

We tackle the theoretical implications of an emergent field of study, ubiquitous music
(ubimus). Striving to place musical research within the wider field of creativity studies, this …

Ubimus has pushed the boundaries of creative practice, embracing non-musicians as
creative partners and fostering the use of everyday settings for artistic and educational …

The purpose of this article is to investigate a methodological alternative to
ecocomposicionais practices through the use of systematic comprovisação. With a focus on …

This paper aims to expand the research on ecological synthesis models (KELLER, 1999)
through the inclu-sion of improvisation practice. We propose a formalization of creative …

In this paper I identify three methodological approaches to creativitycentered design: the
computational approach, the dialogical perspective and the ecologically grounded …