Museums today find themselves within a mediatised society, where everyday life is
conducted in a data-full and technology-rich context. In fact, museums are themselves …

The museum in the digital age is not only a storyteller telling a fixed story to visitors through
curatorial design, but a story co-maker in collaboration with visitors' experience in the space …

Increasingly sophisticated immersive, interactive visualization technologies are now coupled
to rapid expansions in ultra‐high‐resolution cultural heritage datasets. This chapter situates …

When mobilised through augmented and virtual reality platforms, high-fidelity digital
facsimiles of cultural artefacts and landscapes present new paradigms for engagement by …

This paper presents a new interactive installation, the BiographScope, meant to immerse
visitors in an archival collection of early silent films from the turn of the twentieth century. It …

This paper presents a study conducted in the framework of the PERCEIVE project, which
focuses on fostering a “caring attitude” towards Art collections threatened by the …

Routledge Encyclopedia of Technology and the Humanities is a pioneer attempt to introduce
a wide range of disciplines in the emerging field of techno-humanities to the English-reading …

The increasing diversity of digital technologies is transforming the visitor experience in
contemporary museum spaces, as in many other areas. Museums have become multi …

In the chapter entitled 'DH-XR: Extended Reality's Relevance to the Digital
Humanities,'Professor Erik Champion of the University of South Australia and Dr Hafizur …

This chapter examines the transformation of museums into a hybrid space. In this context, a
fully digital contemporary museum in Paris, Atelier des Lumieres, has been chosen as a …