Documentary filmmaking is one of the most vibrant areas of media activity in the Chinese
world, with many independent filmmakers producing documentaries that deal with a range of …

This article revisits Sinophone literature from the archipelagic region of the western Pacific to
understand how thinking with and through the ocean shapes patterns of place-making and …

Taiwanese indigenous literatures, the literatures of the Austronesian, indigenous cultures of
Taiwan, mainly written in Chinese, constitute ultraminor literatures at the margins of …

Abstract In her article" Indigenous Taiwan as Location of Native American and Indigenous
Studies" Hsinya Huang uses Taiwan as a specific intellectual crossroads to examine, both …

This chapter examines the history of the relationship between the indigenous people of
Taiwan and the cinema as one trace of Taiwan's changing identity. In the case of Taiwan, its …

How do contemporary indigenous filmmakers regard primitivism? By way of reply, this article
examines Laha Mebow's appropriation of a primitive Sayun in her 2011 film Finding …

In an age of vibrant flows and border crossings, the notion of inauthenticity seems essential
to conceptualizing the cultural production of our time. This paper examines two models of …

What happens when a human-centered geopolitical history is “suspended”? How could
such a suspension illuminate a more-thanhuman world and its queerness? Kan Yao-Ming's …

For as long as Taiwan's Indigenous peoples have been colonized, translation has been a
double-edged sword, a weapon not only of rule but also of resistance. Over the past four …

This essay discusses how documentary filmmaking opens up a space for women to
intervene in contemporary debates on the question of subjectivity in Taiwan. The argument …