Hearing Form: Musical Analysis With and Without the Score is a complete course package
for undergraduate courses on musical forms, with comprehensive coverage from the …

The need to express himself in English drew from Arnold Schoenberg a response that went
far beyond the devising of terminological equivalents in his adopted language, reigniting in …

Hearing Rhythm and Meter: Analyzing Metrical Consonance and Dissonance in Common-
Practice Period Music is the first book to present a comprehensive course text on advanced …

In AABA songs (sometimes called verse–bridge songs) written and performed by the
Beatles, the song texts' scansion and rhyme show significant contrasts between different …

Listener expectations are a fundamental consideration in formal analysis, common to
cognitive and hermeneutic approaches alike. Such approaches maintain that listeners use …

Sentence form has drawn a great deal of scholarly attention since the appearance of William
Caplin's Classical Form in 1998. Few publications, however, have considered the origins of …

Ever since William Caplin inducted Schoenberg's notion of a sentence (Satz) into English-
language theoretical discourse, scholars have been codifying the myriad guises that …

The clichéd view that Bruckner's sonata form is a motionless architecture devoid of dynamic
processes has long contributed to detaching his form from the mainstream post …

This dissertation contemplates relational salience—the relative attentional priority and
structural importance enjoyed by formal correspondences—as an organizing force in the …

Isaac Albéniz (1860-1909) is typically assigned a peripheral position in Western music
historiography, and described as one of the nationalist composers of the late nineteenth …