[图书][B] England's dreaming

J Savage - 2011 - books.google.com
WINNER OF THE RALPH J. GLEASON AWARD INCLUDES FOREWORD BY JOHNNY
MARR Award-winning, Sunday Times bestselling author Jon Savage's definitive history of …

[图书][B] Gender in the music industry: Rock, discourse and girl power

M Leonard - 2017 - taylorfrancis.com
Why, despite the number of high profile female rock musicians, does rock continue to be
understood as masculine? Why is rock generally assumed to be created and performed by …

Is Hip Hop Dead?

M Hess - 2007 - torrossa.com
In December 2006, Nas released his eighth album, Hip Hop is Dead. The Queens rapper's
provocative album title caused controversy among rap artists and listeners, and led to …

[PDF][PDF] Do-It-Yourself: Industry, ideology, aesthetics and micro independent record labels in the UK

R Strachan - Unpublished masters thesis, University of Liverpool …, 2003 - academia.edu
This thesis is an examination of industrial, ideological and aesthetic practice amongst small-
scale cultural producers 4 whose activities are centred around a distinct set of rock and pop …

A test of consensus in aesthetic evaluation among professional critics of modern music

DE Lundy - Empirical Studies of the Arts, 2010 - journals.sagepub.com
To evaluate the approximate level of aesthetic consensus among a large sample of
professionals, modern music critics were sampled from known music rating books that rated …

Signifying DIY: Process-oriented aesthetics in 1990s alternative rock and hip-hop

B Jones - 2014 - search.proquest.com
This dissertation posits and demonstrates a framework for analyzing how sound recordings
convey meaning in rock—considering how listeners experience recordings, not only as fixed …

Don't Quote Me, Boy”: Dynamite Hack Covers NWA's “Boyz‐N‐The‐Hood

M Hess - Popular music and Society, 2005 - Taylor & Francis
In 2000, Dynamite Hack, a white indie‐rock band, covered NWA's “Boyz‐N‐The‐Hood.”
Hack's cover complicates earlier assertions that rap songs cannot be covered, and it speaks …

[引用][C] Fixar o movimento: representações da música rap em Portugal

T Fradique - 2019 - Etnográfica Press

What it means to be (un) professional: The presence of nonaesthetic bias within differing levels of music and film expertise.

DE Lundy, LA Stephens, CT Hinners… - … of Aesthetics, Creativity …, 2018 - psycnet.apa.org
We investigated the justifications given by nonexperts and experts for their appraisals of
musicians and films. In Study 1, a sample of 125 participants were asked to justify positive …

" Have You Ever Been to the Pleasure Inn?" The Transformation of Indie Rock in Louisville, Kentucky

C Seiler - Journal of Popular Music Studies, 2001 - Taylor & Francis
All the different kinds of regional rock in America are really only one music, fragmented—the
artistic product of a postwar suburban culture that could be, and is, anywhere. The regional …