Coughing and Clapping: Investigating Audience Experience explores the processes and
experiences of attending live music events from the initial decision to attend through to …

Drawing upon extensive empirical research with jazz and classical music audiences in the
UK, this chapter considers the nature of the concert ritual and the varying motivations and …

The valuation of creativity is often politically contested. Creative processes and outcomes (a
term which encompasses both tangible products and intangible experiences) are also …

This paper explores the rules and expectations of jazz gigs using a case study of a weekly
jazz club, The Spin. The paper considers the expectations that audience members have of …

Working in a domain to which one feels called has been heralded as a source of deep
meaning and fulfilment, but not everyone is able to pursue their calling through paid …

Music entrepreneurs are by nature intrinsically involved in the music industry due to lifestyle
and business reasons. This study investigates the use of lifestyle entrepreneurship …

Over the past two decades, the resource-based view of the firm (RBV) has emerged as one
of the more influential paradigms from the field of strategic management. However, the …

Although the music industry is dominated by a few global players, the vast majority of
musical performances are by nonprofit organisations, self‐employed musicians or small and …

This qualitative, phenomenological study sought to understand ways popular music artists
experience and make meaning of their transitions from the role of college student to roles as …

Det finns en ansenlig mängd skrivet om arbete. Det finns även en hel del skrivet om fritid.
För de flesta i arbetsför ålder kan tiden delas upp i de två sfärerna, vilka ofta betraktas vara …