Making Modern England: the 'New Domesday'and Estate Landscapes during the Late-Nineteenth Century
JC Finch - 2019 - eprints.whiterose.ac.uk
The landed estate was the pre-eminent cultural landscape across Britain until at least the
1880s. It was both ubiquitous and socially significant, but its form and character varied over …
1880s. It was both ubiquitous and socially significant, but its form and character varied over …
Collecting Continental Old Masters for Harewood House, Yorkshire: British cultural heritage and aristocratic survival, 1916-1947
GL Plumpton - 2023 - etheses.whiterose.ac.uk
This thesis examines the proactive collecting of continental old master paintings and
drawings undertaken by Henry George Charles Lascelles, 6th Earl of Harewood (1882 …
drawings undertaken by Henry George Charles Lascelles, 6th Earl of Harewood (1882 …
Finch, Jonathan
A Brooks - Encyclopedia of Global Archaeology, 2020 - Springer
When concerns exist as to the identity of a set of remains and when DNA, dental, and
radiographic comparisons are not possible, the morphology of the skull can be used in …
radiographic comparisons are not possible, the morphology of the skull can be used in …
[PDF][PDF] The “New Domesday” and Estate Landscapes during the Late-Nineteenth Century
J Finch - danskeherregaarde.dk
Chatsworth House, Derbyshire, the seat of the Dukes of Devonshire Oil painting by William
Marlow (-). Like most late eighteenthcentury paintings of country houses in England, the …
Marlow (-). Like most late eighteenthcentury paintings of country houses in England, the …