Although many depictions of the city in prose, poetry, and visual art can be found dating from
earlier periods in human history, Obsession, Aesthetics, and the Iberian City emphasizes a …

This article analyses the spatial logic of the Argentine film El hombre de al lado/The Man
Next Door (2009) directed by Mariano Cohn and Gastón Duprat by using Marc Augé's …

“Silent Films/Loud Music discusses contemporary scores for silent film as a rich vehicle for
experimentation in the relationship between music, image, and narrative. Johnston offers an …

“Acousmatic” describes a sound that occurs without an identifiable visual origin. Similarly,
trauma is built upon gaps between source, cause, and effect, where an event of violence is …

Houses, in the Argentine and Chilean films of the early twenty-first century, provide much
more than a backdrop to on-screen drama. Nor are they simply refuges from political turmoil …

This innovative study finds that, through his unique representation of violence, Argentine
director Pablo Trapero has established himself as one of the 21st century's distinctly political …

Cumbia: audiotopías, violencias y cuerpo analyse la cumbia comme point de départ d'une
analyse littéraire et cinématographique. Partant de la question de son origine, cette …

Abstract Cinematic Landscape and Emerging Identities in Contemporary Latin American
Film offers a series of perspectives, produced from a diverse array of aesthetic and …

Abstract In its heyday, Argentine Villa Epecuén was an exclusive lakefront town drawing
celebrities and families from Buenos Aires. In 1985 a dam broke and submerged the town in …

While all nations possess their own distinct spatial dynamics and discourses, Argentina is
perhaps unique among Latin American countries for the enduring discursive binary of city …