L Väkevä - British Journal of Music Education, 2010 - cambridge.org
In this paper, I suggest that it is perhaps time to consider the pedagogy of popular music in more extensive terms than conventional rock band practices have to offer. One direction in …
This article argues for a view of popular music production that better accounts for sampling than has historically been the case by viewing it as a continuum of activity. Weighing …
In December 2008, the music company EMI announced the closure of its Olympic Studios in West London. Following this news, these comments were left on the Music Week website …
'Musical borrowing in hip-hop'begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and …
Sociology Looks at the Arts is intended as a concise yet nuanced introduction to the sociology of art. This book will provide a foundation for teaching and discussing a range of …
The creative practice of remix is essential to contemporary culture, as the proliferation of song mashups, political remix videos, memes, and even streaming television shows like …
S Barber - Journal on the art of record production, 2012 - arpjournal.com
Developments in digital technologies during the last 35 years have had arguably the most profound effect on the sound recording and music industries since the invention of the …
Urheberschutz vs. Kunstfreiheit: Was erlaubt unser Urheberrecht? Florian Pötzlberger beschäftigt sich am Beispiel" Remix" mit urheberrechtlichen Privilegierungsmöglichkeiten für …
L Väkevä - Teachers College Record, 2012 - journals.sagepub.com
Not too long ago, my eyes caught an opinion piece in Helsingin Sanomat, the leading newspaper of my own country, Finland (“Mediakasvatus Ei Vaadi,” 2011). The piece argued …